nanosynth

nanosynth is a Python package that embeds SuperCollider's libscsynth and supernova synthesis engines in-process using nanobind. It makes it possible to define SynthDefs in Python, compile them to SuperCollider's SCgf binary format, boot the embedded audio engine, and control it via OSC -- all without leaving Python.

Features

Self-contained with embedded synthesis engines -- both libscsynth and supernova run in-process as Python extensions (vendored and built from source), no separate process required. supernova is SuperCollider's parallel DSP engine -- it distributes independent synth nodes across CPU cores via ParGroups, while scsynth runs everything on a single audio thread
High-level Server class -- boot/quit lifecycle, node ID allocation, SynthDef dispatch, buffer management, OSC reply handling, and convenience methods (synth, group, par_group, free, set). Context manager support and managed_synth()/managed_group()/managed_par_group()/managed_buffer() for automatic resource cleanup. Same API for both engines -- just pass protocol=EmbeddedSupernovaProtocol() to use supernova
Pythonic SynthDef builder -- define UGen graphs using a context manager and operator overloading, compiled to SuperCollider's SCgf binary format
340+ UGens -- oscillators, filters, delays, noise, chaos, granular, demand, dynamics, panning, physical modeling, reverb, phase vocoder, machine listening, stochastic synthesis, and more
Rich operator algebra -- 43 binary and 34 unary operators on all UGen signals, including arithmetic, comparison, bitwise, power, trig, pitch conversion (midicps/cpsmidi), clipping (clip2/fold2/wrap2), and more. Compile-time constant folding and algebraic optimizations
Non-real-time (NRT) rendering -- Score class for offline audio rendering to WAV/AIFF files without audio hardware. Timestamped OSC commands are serialized and rendered by the embedded engine
Bus allocation -- Bus proxy class with Server.audio_bus(), Server.control_bus(), managed_audio_bus(), managed_control_bus(). Eliminates hardcoded magic bus numbers in effect chains. int() compatible for passing as synth parameters
Pattern sequencing -- Pbind, Pseq, Prand, Pwhite, Pseries, Pgeom, Pchoose, Pn, Pconst, Rest, Clock, and Player for musical event scheduling. Patterns are reusable iterables; Pbind produces event streams that drive synth creation with automatic gate release. Clock provides tempo-driven playback with drift-free scheduling
MIDI input -- MidiIn class for receiving MIDI from hardware controllers (via embedded RtMidi: CoreMIDI on macOS, ALSA on Linux, WinMM on Windows). Parsed message types (NoteOn, NoteOff, ControlChange, PitchBend) with handler registration. High-level helpers: midi_note_map() for polyphonic note-to-synth mapping, midi_cc_map() for CC-to-parameter control
NodeProxy / Ndef -- live coding with hot-swappable synth definitions. NodeProxy owns a private audio bus, a source synth (with ASR envelope for crossfade), and a monitor synth. Swap the source seamlessly while audio plays. Ndef is a global named proxy registry for concise live-coding workflows
Server recording -- Server.record(path) captures real-time audio output to WAV/AIFF via DiskOut. stop_recording() finalizes the file. Configurable channel count, bus, and format
Buffer management -- alloc_buffer, read_buffer, write_buffer, free_buffer, zero_buffer, close_buffer, and context managers for automatic cleanup
Reply handling -- bidirectional OSC communication with the engine: persistent handlers (on/off), blocking one-shot waits (wait_for_reply), and send-and-wait (send_msg_sync)
SynthDef graph introspection -- SynthDef.graph() returns a structured DAG of UGenNode/UGenInput NamedTuples for programmatic traversal. SynthDef.to_dot() exports to Graphviz DOT format
Envelope system -- Envelope class with factory methods (adsr, asr, linen, percussive, triangle) and the EnvGen UGen
OSC codec -- pure-Python OscMessage/OscBundle encode/decode with optional C++ acceleration via nanobind
@synthdef decorator -- shorthand for defining SynthDefs as plain functions with parameter rate/lag annotations
Full type safety -- passes mypy --strict, complete type annotations throughout

Requirements

Python 3.10+
uv (package manager)
For embedded engines: SuperCollider 3.14.1 (both scsynth and supernova), libsndfile, and PortAudio are vendored and built from source automatically. Audio backend: CoreAudio on macOS, PortAudio (ALSA) on Linux, PortAudio (WASAPI) on Windows -- no system-level audio dependencies beyond the compiler toolchain.

Installation

pip install nanosynth

Or build from source:

# Editable install with embedded scsynth + supernova
uv pip install -e .

# Build wheel (incremental -- reuses cmake build cache in build/)
make build

# Install without supernova (scsynth only)
uv pip install -e . -C cmake.define.NANOSYNTH_EMBED_SUPERNOVA=OFF

# Install without any audio engine (OSC codec + SynthDef compiler only)
uv pip install -e . -C cmake.define.NANOSYNTH_EMBED_SCSYNTH=OFF -C cmake.define.NANOSYNTH_EMBED_SUPERNOVA=OFF

Quick Start

Run the Audio Demos

make demos            # scsynth demos
make demos-supernova  # supernova demos

Define a SynthDef and Play It

The Server class manages the embedded engine lifecycle. Define a SynthDef, boot the server, and play:

import time
from nanosynth import Options, Server
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.synthdef import DoneAction, SynthDefBuilder
from nanosynth.ugens import Out, Pan2, SinOsc

# Define a SynthDef
with SynthDefBuilder(frequency=440.0, amplitude=0.3) as builder:
    sig = SinOsc.ar(frequency=builder["frequency"])
    sig = sig * builder["amplitude"]
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.1, sustain_time=1.8, release_time=0.1),
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = sig * env
    Out.ar(bus=0, source=Pan2.ar(source=sig))

synthdef = builder.build(name="sine")

# Boot the server, send the SynthDef, create a synth
with Server(Options(verbosity=0)) as server:
    synthdef.send(server)
    time.sleep(0.1)

    node = server.synth("sine", frequency=440.0, amplitude=0.3)
    print(f"Playing 440 Hz sine (node {node}) for 2 seconds...")
    time.sleep(2.0)
    server.free(node)

# Engine shuts down automatically on context exit

Or use SynthDef.play() to send and create a synth in one call:

with Server() as server:
    node = synthdef.play(server, frequency=880.0, amplitude=0.2)
    time.sleep(2.0)

Managed Nodes (Automatic Cleanup)

managed_synth() and managed_group() create nodes that are automatically freed on context exit, even if an exception occurs:

import time
from nanosynth import Server

with Server() as server:
    synthdef.send(server)
    time.sleep(0.1)

    with server.managed_synth("sine", frequency=440.0, amplitude=0.3) as node:
        print(f"Playing node {node}...")
        time.sleep(2.0)
    # node freed automatically here

    # Group multiple voices and free them together
    with server.managed_group(target=1) as group:
        server.synth("sine", target=group, frequency=261.63, amplitude=0.2)
        server.synth("sine", target=group, frequency=329.63, amplitude=0.2)
        server.synth("sine", target=group, frequency=392.00, amplitude=0.2)
        time.sleep(2.0)
    # entire group freed here

Effect Chains with Bus Allocation

Use AddAction to control node execution order and audio_bus() to allocate private buses for effect routing -- no more hardcoded magic bus numbers:

import time
from nanosynth import AddAction, Options, Server

with Server(Options(verbosity=0)) as server:
    src_def.send(server)
    delay_def.send(server)
    time.sleep(0.1)

    # Allocate a private bus for routing source -> effect
    with server.managed_audio_bus(2) as fx_bus:
        # Source group executes first, effect group after
        src_group = server.group(target=1, action=AddAction.ADD_TO_HEAD)
        fx_group = server.group(target=int(src_group), action=AddAction.ADD_AFTER)

        # Effect reads from the allocated bus, writes to hardware output
        server.synth("comb_delay", target=int(fx_group),
                     in_bus=float(int(fx_bus)), delay_time=0.375, mix=0.4)

        # Source writes to the allocated bus
        server.synth("perc_src", target=int(src_group),
                     out_bus=float(int(fx_bus)), frequency=440.0)
        time.sleep(2.0)
    # bus freed automatically

Supernova (Parallel DSP)

Use supernova instead of scsynth to distribute independent synth nodes across CPU cores. The API is identical -- just pass a different protocol:

import time
from nanosynth import AddAction, EmbeddedSupernovaProtocol, Options, Server
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.synthdef import DoneAction, SynthDefBuilder
from nanosynth.ugens import Out, Pan2, SinOsc

with SynthDefBuilder(frequency=440.0, amplitude=0.3) as builder:
    sig = SinOsc.ar(frequency=builder["frequency"]) * builder["amplitude"]
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.5, sustain_time=2.0, release_time=0.5),
        done_action=DoneAction.FREE_SYNTH,
    )
    Out.ar(bus=0, source=Pan2.ar(source=sig * env))

voice = builder.build(name="voice")

# Boot supernova instead of scsynth
with Server(
    Options(verbosity=0, load_synthdefs=False),
    protocol=EmbeddedSupernovaProtocol(),
) as server:
    voice.send(server)
    time.sleep(0.1)

    # ParGroup: children execute in parallel across CPU cores
    par = server.par_group(target=1, action=AddAction.ADD_TO_HEAD)

    for freq in [261.63, 329.63, 392.00, 523.25]:
        server.synth("voice", target=par, frequency=freq, amplitude=0.15)

    time.sleep(3.0)

With scsynth, all voices execute sequentially on one audio thread. With supernova, voices inside a ParGroup are distributed across cores -- providing a measurable speedup for dense polyphony and independent effect chains.

Recording

Capture real-time audio output to a file:

import time
from nanosynth import Server

with Server() as server:
    synthdef.send(server)
    time.sleep(0.1)

    # Start recording to WAV
    server.record("output.wav", header_format="wav", sample_format="int16")

    # Play some audio
    node = server.synth("sine", frequency=440.0, amplitude=0.3)
    time.sleep(2.0)
    server.free(node)

    # Stop recording -- finalizes the file
    server.stop_recording()

Recording options include num_channels (defaults to output bus count), bus (which bus to record from), header_format ("wav" or "aiff"), and sample_format ("int16", "int24", "float").

Offline (NRT) Rendering

Render audio to a file without real-time audio hardware -- useful for batch processing, testing, and CI pipelines:

from nanosynth import Score, SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Out, Pan2, SinOsc

# Define a SynthDef
with SynthDefBuilder(freq=440.0, amp=0.3) as builder:
    sig = SinOsc.ar(frequency=builder["freq"]) * builder["amp"]
    env = EnvGen.kr(
        envelope=Envelope.percussive(attack_time=0.01, release_time=0.5),
        done_action=DoneAction.FREE_SYNTH,
    )
    Out.ar(bus=0, source=Pan2.ar(source=sig * env))
sd = builder.build(name="sine")

# Build a Score -- a sequence of timestamped OSC commands
score = Score()
score.add_synthdef(0.0, sd)
score.add_synth(0.0, "sine", freq=440.0, amp=0.3)
score.add_synth(0.5, "sine", freq=554.37, amp=0.2)
score.add_synth(1.0, "sine", freq=659.26, amp=0.2)

# Render to a WAV file (no audio hardware needed)
score.render("output.wav", sample_rate=44100, header_format="WAV", sample_format="int16")

Pattern Sequencing

Replace manual time.sleep() loops with musical patterns. Pbind binds keys to patterns or scalars to produce event streams; Clock drives playback at a given tempo:

import time
from nanosynth import Options, Server
from nanosynth.patterns import Clock, Pbind, Prand, Pseq, Pwhite, Rest

with Server(Options(verbosity=0)) as server:
    # (assume a "default" SynthDef with freq, amp, gate params is loaded)
    clock = Clock(bpm=140)

    # Ascending melody
    melody = Pbind(
        instrument="default",
        freq=Pseq([261.63, 293.66, 329.63, 392.00, 440.00]),
        dur=Pseq([0.5, 0.5, 0.5, 0.5, 1.0]),
        amp=0.2,
    )
    melody.play(clock, server)
    time.sleep(3.0)

    # Randomized melody with rests and dynamic amplitude
    rand_melody = Pbind(
        instrument="default",
        freq=Prand([261.63, 329.63, 392.00, 440.00], repeats=8),
        dur=Pseq([0.25, 0.25, Rest(0.5), 0.5], repeats=2),
        amp=Pwhite(0.1, 0.25, repeats=8),
    )
    player = rand_melody.play(clock, server)
    time.sleep(4.0)

    player.stop()
    clock.stop()

Available patterns: Pseq (sequential), Prand (random choice), Pwhite (uniform random float), Pseries (arithmetic series), Pgeom (geometric series), Pchoose (weighted random), Pn (repeat N times), Pconst (yield until sum reaches total). Patterns support chaining with | and preview with .take(n).

MIDI Input

Connect hardware MIDI controllers. Requires the _midi C extension (built by default with NANOSYNTH_EMBED_MIDI=ON):

import time
from nanosynth import Options, Server
from nanosynth.midi import MidiIn, midi_note_map, midi_cc_map

# List available MIDI ports
print(MidiIn.list_ports())

with Server(Options(verbosity=0)) as server:
    # (assume a gated SynthDef "synth" is loaded)

    with MidiIn(port=0) as midi:
        # Polyphonic note mapping: note-on creates synth, note-off sends gate=0
        cleanup_notes = midi_note_map(midi, server, "synth")

        # Map CC1 (mod wheel) to a parameter on an existing synth
        # cleanup_cc = midi_cc_map(midi, server, some_synth,
        #                          cc_map={1: "cutoff"}, range_min=200.0, range_max=8000.0)

        # Or register handlers directly
        midi.on_note_on(lambda msg: print(f"Note {msg.note} vel {msg.velocity}"))
        midi.on_cc(lambda msg: print(f"CC {msg.control} = {msg.value}"))

        input("Press Enter to quit...")
        cleanup_notes()

NodeProxy / Ndef (Live Coding)

Hot-swap synth definitions while audio plays. NodeProxy manages a private audio bus, source synth, and monitor synth -- swapping replaces only the source with a crossfade:

import time
from nanosynth import Options, Server
from nanosynth.proxy import Ndef, NodeProxy
from nanosynth.ugens import LFNoise1, LPF, Saw, SinOsc

with Server(Options(verbosity=0)) as server:
    # NodeProxy: manual usage
    proxy = NodeProxy(server)
    proxy.source = lambda: SinOsc.ar(frequency=440) * 0.2
    proxy.play()
    time.sleep(2.0)

    # Hot-swap to saw wave (crossfades automatically)
    proxy.source = lambda: Saw.ar(frequency=330) * 0.15
    time.sleep(2.0)

    proxy.clear()

    # Ndef: concise named proxy registry
    Ndef(server, "pad", lambda: SinOsc.ar(frequency=220) * 0.2)
    Ndef(server, "pad").play()
    time.sleep(1.5)

    # Hot-swap via Ndef
    Ndef(server, "pad", lambda: Saw.ar(frequency=165) * 0.15)
    time.sleep(1.5)

    Ndef.clear_all(server)

Synthesis Techniques

The following examples show SynthDef definitions for various synthesis techniques. Each can be played using the Server class as shown above.

Using the `@synthdef` Decorator

For simpler definitions, use the decorator to skip the builder boilerplate. Parameter rates and lags are specified positionally:

from nanosynth import synthdef, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Out, Pan2, SinOsc

@synthdef("kr", ("kr", 0.5))  # freq: control rate, amp: control rate with 0.5s lag
def my_sine(freq=440.0, amp=0.3):
    sig = SinOsc.ar(frequency=freq)
    env = EnvGen.kr(
        envelope=Envelope.percussive(attack_time=0.01, release_time=1.0),
        done_action=DoneAction.FREE_SYNTH,
    )
    Out.ar(bus=0, source=Pan2.ar(source=sig * amp * env))

scgf_bytes = my_sine.compile()  # my_sine is a SynthDef instance

Subtractive Synthesis

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import LFNoise1, LPF, Out, Pan2, RLPF, Saw, WhiteNoise, XLine

# Saw wave through a sweeping low-pass filter
with SynthDefBuilder(frequency=110.0, amplitude=0.4) as builder:
    sig = Saw.ar(frequency=builder["frequency"])
    cutoff = XLine.kr(start=8000.0, stop=200.0, duration=3.0,
                      done_action=DoneAction.FREE_SYNTH)
    sig = LPF.ar(source=sig, frequency=cutoff)
    sig = sig * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

filtered_saw = builder.build(name="filtered_saw")

# White noise through a resonant LPF with LFO-modulated cutoff
with SynthDefBuilder(amplitude=0.15) as builder:
    sig = WhiteNoise.ar()
    lfo = LFNoise1.kr(frequency=4.0)
    cutoff = lfo * 1900.0 + 2100.0  # map [-1,1] to [200, 4000]
    sig = RLPF.ar(source=sig, frequency=cutoff, reciprocal_of_q=0.1)
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.5, sustain_time=2.0, release_time=0.5),
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = sig * env * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

resonant_noise = builder.build(name="resonant_noise")

FM Synthesis

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Out, Pan2, SinOsc

with SynthDefBuilder(
    carrier_freq=440.0, mod_ratio=2.0, mod_index=3.0,
    amplitude=0.3, gate=1.0,
) as builder:
    mod_freq = builder["carrier_freq"] * builder["mod_ratio"]
    modulator = SinOsc.ar(frequency=mod_freq) * builder["mod_index"] * mod_freq
    carrier = SinOsc.ar(frequency=builder["carrier_freq"] + modulator)
    env = EnvGen.kr(
        envelope=Envelope.adsr(
            attack_time=0.01, decay_time=0.1, sustain=0.7, release_time=0.3,
        ),
        gate=builder["gate"],
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = carrier * env * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

fm_synth = builder.build(name="fm_synth")

Additive Synthesis

Sum harmonics with decreasing amplitude to build a rich tone from pure sine partials:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Out, Pan2, SinOsc

with SynthDefBuilder(frequency=200.0, amplitude=0.3) as builder:
    sig = SinOsc.ar(frequency=builder["frequency"]) * 1.0
    sig = sig + SinOsc.ar(frequency=builder["frequency"] * 2.0) * 0.5
    sig = sig + SinOsc.ar(frequency=builder["frequency"] * 3.0) * 0.33
    sig = sig + SinOsc.ar(frequency=builder["frequency"] * 4.0) * 0.25
    sig = sig + SinOsc.ar(frequency=builder["frequency"] * 5.0) * 0.2
    sig = sig * 0.3  # normalize
    env = EnvGen.kr(
        envelope=Envelope.percussive(attack_time=0.01, release_time=2.0),
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = sig * env * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

additive = builder.build(name="additive")

Plucked String (Physical Modeling)

Karplus-Strong style plucked string using the Pluck UGen:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Dust, Out, Pan2, Pluck, WhiteNoise

with SynthDefBuilder(frequency=440.0, amplitude=0.5, decay=5.0) as builder:
    trig = Dust.ar(density=1.0)
    sig = Pluck.ar(
        source=WhiteNoise.ar(),
        trigger=trig,
        maximum_delay_time=1.0 / 100.0,
        delay_time=1.0 / builder["frequency"],
        decay_time=builder["decay"],
        coefficient=0.3,
    )
    sig = sig * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

pluck = builder.build(name="plucked_string")

Delay and Reverb Effects

Process a dry signal through comb delay and FreeVerb:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import CombC, FreeVerb, Out, Pan2, Saw, LPF

with SynthDefBuilder(frequency=220.0, amplitude=0.3) as builder:
    # Dry signal: filtered saw
    dry = Saw.ar(frequency=builder["frequency"])
    dry = LPF.ar(source=dry, frequency=2000.0)
    env = EnvGen.kr(
        envelope=Envelope.percussive(attack_time=0.005, release_time=0.3),
        done_action=DoneAction.FREE_SYNTH,
    )
    dry = dry * env * builder["amplitude"]

    # Comb delay for metallic echo
    sig = CombC.ar(
        source=dry,
        maximum_delay_time=0.2,
        delay_time=0.15,
        decay_time=2.0,
    )

    # Reverb
    sig = FreeVerb.ar(source=dry + sig, mix=0.4, room_size=0.8, damping=0.3)
    Out.ar(bus=0, source=Pan2.ar(source=sig))

delay_reverb = builder.build(name="delay_reverb")

Demand-Rate Sequencing

Use demand UGens to sequence pitches without host-side scheduling:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Duty, Dseq, Out, Pan2, SinOsc

with SynthDefBuilder(amplitude=0.3) as builder:
    # Dseq loops a sequence of MIDI-note frequencies at demand rate
    freq_pattern = Dseq.dr(
        repeats=4,
        sequence=[261.63, 293.66, 329.63, 392.00, 440.00, 392.00, 329.63, 293.66],
    )
    # Duty reads from the demand pattern every 0.25 seconds
    freq = Duty.kr(duration=0.25, level=freq_pattern)
    sig = SinOsc.ar(frequency=freq) * builder["amplitude"]
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.01, sustain_time=7.9, release_time=0.1),
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = sig * env
    Out.ar(bus=0, source=Pan2.ar(source=sig))

sequencer = builder.build(name="sequencer")

Ring Modulation

Multiply two signals together for classic ring modulation:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import LFTri, Out, Pan2, SinOsc

with SynthDefBuilder(
    carrier_freq=440.0, mod_freq=60.0, amplitude=0.3,
) as builder:
    carrier = SinOsc.ar(frequency=builder["carrier_freq"])
    modulator = LFTri.ar(frequency=builder["mod_freq"])
    sig = carrier * modulator  # ring mod = simple multiplication
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.05, sustain_time=2.0, release_time=0.5),
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = sig * env * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

ring_mod = builder.build(name="ring_mod")

Stereo Width with Detuning

Fatten a sound by panning two slightly detuned oscillators:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import LPF, Out, Saw

with SynthDefBuilder(frequency=110.0, detune=0.5, amplitude=0.4) as builder:
    left = Saw.ar(frequency=builder["frequency"] - builder["detune"])
    right = Saw.ar(frequency=builder["frequency"] + builder["detune"])
    left = LPF.ar(source=left, frequency=3000.0)
    right = LPF.ar(source=right, frequency=3000.0)
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.1, sustain_time=2.0, release_time=0.5),
        done_action=DoneAction.FREE_SYNTH,
    )
    left = left * env * builder["amplitude"]
    right = right * env * builder["amplitude"]
    Out.ar(bus=0, source=[left, right])  # direct stereo output

stereo_saw = builder.build(name="stereo_saw")

Dynamics Processing

Apply compression to a signal using Compander:

from nanosynth import SynthDefBuilder, DoneAction
from nanosynth.envelopes import EnvGen, Envelope
from nanosynth.ugens import Compander, Dust, Out, Pan2, Ringz

with SynthDefBuilder(amplitude=0.5) as builder:
    # Sparse impulses through a resonant filter -- wide dynamic range
    sig = Ringz.ar(
        source=Dust.ar(density=3.0),
        frequency=2000.0,
        decay_time=0.2,
    )
    # Compress: bring quiet parts up, loud parts down
    sig = Compander.ar(
        source=sig,
        control=sig,
        threshold=0.3,
        slope_below=2.0,   # expand below threshold
        slope_above=0.5,   # compress above threshold
        clamp_time=0.01,
        relax_time=0.1,
    )
    env = EnvGen.kr(
        envelope=Envelope.linen(attack_time=0.01, sustain_time=3.0, release_time=0.5),
        done_action=DoneAction.FREE_SYNTH,
    )
    sig = sig * env * builder["amplitude"]
    Out.ar(bus=0, source=Pan2.ar(source=sig))

compressed = builder.build(name="compressed")

Advanced Features

SynthDef Compilation (No Engine Required)

SynthDef graphs can be compiled to SuperCollider's SCgf binary format without booting the audio engine -- useful for generating SynthDefs for any SuperCollider server:

from nanosynth import SynthDefBuilder, compile_synthdefs
from nanosynth.ugens import Out, Pan2, SinOsc

with SynthDefBuilder(frequency=440.0) as builder:
    Out.ar(bus=0, source=Pan2.ar(source=SinOsc.ar(frequency=builder["frequency"])))

synthdef = builder.build(name="sine")
scgf_bytes = synthdef.compile()

# Or compile multiple SynthDefs into a single SCgf blob
blob = compile_synthdefs(synthdef1, synthdef2, synthdef3)

Debugging SynthDef Graphs

SynthDef.dump_ugens() prints a human-readable UGen graph (like SuperCollider's SynthDef.dumpUGens):

print(synthdef.dump_ugens())
# SynthDef: sine
#   0: Control.kr - frequency, amplitude
#   1: SinOsc.ar(frequency: Control[0], phase: 0.0)
#   2: BinaryOpUGen.ar(MULTIPLICATION, a: SinOsc[0], b: Control[1])
#   ...

SynthDef Graph Introspection

Walk the UGen graph programmatically or export to Graphviz DOT format:

# Structured graph -- returns UGenNode/UGenInput NamedTuples
graph = sd.graph()
for node in graph.nodes:
    print(f"{node.node_index}: {node.type_name}.{node.rate}")
    for inp in node.inputs:
        if inp.source is not None:
            print(f"  {inp.name} <- {inp.source.type_name}[{inp.output_index}]")
        else:
            print(f"  {inp.name} = {inp.value}")

# Export to Graphviz DOT
dot = sd.to_dot(rankdir="LR")
print(dot)  # pipe to `dot -Tpng -o graph.png`

OSC Codec

The OSC module works standalone for any OSC communication needs:

from nanosynth import OscMessage, OscBundle

# Encode
msg = OscMessage("/s_new", "sine", 1000, 0, 1, "frequency", 440.0)
datagram = msg.to_datagram()

# Decode
decoded = OscMessage.from_datagram(datagram)
assert decoded == msg

# Bundles
bundle = OscBundle(
    timestamp=None,  # immediately
    contents=[
        OscMessage("/s_new", "sine", 1000, 0, 1),
        OscMessage("/n_set", 1000, "frequency", 880.0),
    ],
)
bundle_bytes = bundle.to_datagram()

Available UGens

Organized by category:

Category	UGens
Oscillators	`SinOsc`, `Saw`, `Pulse`, `Blip`, `Klank`, `LFSaw`, `LFPulse`, `LFTri`, `LFCub`, `LFPar`, `VarSaw`, `SyncSaw`, `Impulse`, `FSinOsc`, `LFGauss`, `Vibrato`, `Osc`, `OscN`, `COsc`, `VOsc`, `VOsc3`
Filters	`LPF`, `HPF`, `BPF`, `BRF`, `RLPF`, `RHPF`, `MoogFF`, `Lag`, `Lag2`, `Lag3`, `LagUD`, `Lag2UD`, `Lag3UD`, `Ramp`, `Decay`, `Decay2`, `Ringz`, `Formlet`, `Median`, `LeakDC`, `OnePole`, `OneZero`, `TwoPole`, `TwoZero`, `APF`, `FOS`, `SOS`, `MidEQ`, `Slew`, `Slope`, `Integrator`, `DetectSilence`, `Changed`
BEQ Filters	`BLowPass`, `BHiPass`, `BBandPass`, `BBandStop`, `BAllPass`, `BLowShelf`, `BHiShelf`, `BPeakEQ`, `BLowCut`, `BHiCut`
Noise	`WhiteNoise`, `PinkNoise`, `BrownNoise`, `GrayNoise`, `ClipNoise`, `Dust`, `Dust2`, `Crackle`, `LFNoise0`, `LFNoise1`, `LFNoise2`, `LFDNoise0`, `LFDNoise1`, `LFDNoise3`, `LFClipNoise`, `LFDClipNoise`, `Logistic`
Stochastic	`Gendy1`, `Gendy2`, `Gendy3`
Delays	`DelayN`, `DelayL`, `DelayC`, `Delay1`, `Delay2`, `CombN`, `CombL`, `CombC`, `AllpassN`, `AllpassL`, `AllpassC`, `BufDelayN`, `BufDelayL`, `BufDelayC`, `BufCombN`, `BufCombL`, `BufCombC`, `BufAllpassN`, `BufAllpassL`, `BufAllpassC`, `DelTapRd`, `DelTapWr`
Envelopes	`EnvGen`, `Linen`, `Done`, `Free`, `FreeSelf`, `FreeSelfWhenDone`, `Pause`, `PauseSelf`, `PauseSelfWhenDone`
Panning	`Pan2`, `Pan4`, `PanAz`, `PanB`, `PanB2`, `BiPanB2`, `Balance2`, `Rotate2`, `DecodeB2`, `XFade2`, `Splay`
Demand	`Dseq`, `Dser`, `Dseries`, `Drand`, `Dxrand`, `Dshuf`, `Dwrand`, `Dwhite`, `Dbrown`, `Diwhite`, `Dibrown`, `Dgeom`, `Demand`, `Duty`, `DemandEnvGen`, `Dbufrd`, `Dbufwr`, `Dstutter`, `Dreset`, `Dswitch`, `Dswitch1`, `Dunique`
Dynamics	`Compander`, `CompanderD`, `Limiter`, `Normalizer`, `Amplitude`
Chaos	`LorenzL`, `HenonN/L/C`, `GbmanN/L`, `LatoocarfianN/L/C`, `LinCongN/L/C`, `CuspN/L`, `QuadN/L/C`, `StandardN/L`, `FBSineN/L/C`
Granular	`GrainBuf`, `GrainIn`, `PitchShift`, `Warp1`
Buffer I/O	`PlayBuf`, `RecordBuf`, `BufRd`, `BufWr`, `ClearBuf`, `LocalBuf`, `MaxLocalBufs`, `ScopeOut`, `ScopeOut2`
Disk I/O	`DiskIn`, `DiskOut`, `VDiskIn`
Physical Modeling	`Pluck`, `Ball`, `TBall`, `Spring`
Reverb	`FreeVerb`
Convolution	`Convolution`, `Convolution2`, `Convolution2L`, `Convolution3`
Phase Vocoder	`FFT`, `IFFT`, `PV_Add`, `PV_BinScramble`, `PV_BinShift`, `PV_BinWipe`, `PV_BrickWall`, `PV_ConformalMap`, `PV_Conj`, `PV_Copy`, `PV_CopyPhase`, `PV_Diffuser`, `PV_Div`, `PV_HainsworthFoote`, `PV_JensenAndersen`, `PV_LocalMax`, `PV_MagAbove`, `PV_MagBelow`, `PV_MagClip`, `PV_MagDiv`, `PV_MagFreeze`, `PV_MagMul`, `PV_MagNoise`, `PV_MagShift`, `PV_MagSmear`, `PV_MagSquared`, `PV_Max`, `PV_Min`, `PV_Mul`, `PV_PhaseShift`, `PV_PhaseShift90`, `PV_PhaseShift270`, `PV_RandComb`, `PV_RandWipe`, `PV_RectComb`, `PV_RectComb2`, `RunningSum`
Machine Listening	`BeatTrack`, `BeatTrack2`, `KeyTrack`, `Loudness`, `MFCC`, `Onsets`, `Pitch`, `SpecCentroid`, `SpecFlatness`, `SpecPcile`
Hilbert	`FreqShift`, `Hilbert`, `HilbertFIR`
I/O	`In`, `Out`, `InFeedback`, `LocalIn`, `LocalOut`, `OffsetOut`, `ReplaceOut`, `XOut`
Lines	`Line`, `XLine`, `LinExp`, `LinLin`, `DC`, `K2A`, `A2K`, `AmpComp`, `AmpCompA`, `Silence`
Triggers	`Trig`, `Trig1`, `Latch`, `Gate`, `Schmidt`, `Sweep`, `Phasor`, `Peak`, `PeakFollower`, `RunningMax`, `RunningMin`, `SendTrig`, `Poll`, `SendReply`, `SendPeakRMS`, `ToggleFF`, `TDelay`, `ZeroCrossing`, `LeastChange`, `MostChange`, `Clip`, `Fold`, `Wrap`, `InRange`
Mouse/Keyboard	`KeyState`, `MouseButton`, `MouseX`, `MouseY`
Info	`SampleRate`, `SampleDur`, `BlockSize`, `ControlRate`, `ControlDur`, `SubsampleOffset`, `RadiansPerSample`, `NumRunningSynths`, `BufFrames`, `BufSamples`, `BufSampleRate`, `BufRateScale`, `BufChannels`, `BufDur`, `NumOutputBuses`, `NumInputBuses`, `NumAudioBuses`, `NumControlBuses`, `NumBuffers`, `NodeID`
Random	`Rand`, `IRand`, `ExpRand`, `LinRand`, `NRand`, `TRand`, `TIRand`, `TExpRand`, `CoinGate`, `TWindex`, `RandID`, `RandSeed`, `Hasher`, `MantissaMask`
Utility	`MulAdd`, `Sum3`, `Sum4`, `Mix`
Safety	`CheckBadValues`, `Sanitize`

Envelope Types

from nanosynth import Envelope

Envelope.adsr(attack_time=0.01, decay_time=0.3, sustain=0.5, release_time=1.0)
Envelope.asr(attack_time=0.01, sustain=1.0, release_time=1.0)
Envelope.linen(attack_time=0.01, sustain_time=1.0, release_time=1.0)
Envelope.percussive(attack_time=0.01, release_time=1.0)
Envelope.triangle(duration=1.0, amplitude=1.0)

# Custom envelope
Envelope(amplitudes=[0, 1, 0.5, 0], durations=[0.1, 0.3, 0.6], curves=[-4])

Documentation

API reference docs are auto-generated from docstrings using mkdocs-material and mkdocstrings.

make docs        # build static site to site/
make docs-serve  # serve locally at http://127.0.0.1:8000 with live reload
make docs-deploy # deploy to GitHub Pages

Browse the docs at shakfu.github.io/nanosynth.

Development

make dev              # uv sync + editable install
make build            # build wheel (incremental via build cache)
make sdist            # build source distribution
make test             # run tests
make lint             # ruff check --fix
make format           # ruff format
make typecheck        # mypy --strict
make qa               # all of the above
make demos            # run scsynth demo scripts
make demos-supernova  # run supernova demo scripts
make clean            # remove transitory files (preserves build cache)
make reset            # clean everything including build cache

CI

The GitHub Actions workflow (.github/workflows/build.yml) builds wheels for CPython 3.10--3.14 on macOS ARM64, Linux x86_64, and Windows x86_64 using cibuildwheel. A qa job runs lint, format check, typecheck, and tests on every push. A source distribution ('sdist') is built separately and all artifacts are aggregated into a single downloadable archive.

A separate release workflow (.github/workflows/release.yml) publishes to PyPI on tag push via trusted publisher, with manual dispatch for TestPyPI.

Attributions

SuperCollider -- the audio synthesis engine and programming language that nanosynth embeds.
supriya -- the inspiration for nanosynth; its UGen system and SynthDef compiler were the basis for this project's graph compilation pipeline.
sc3 - Another SuperCollider library for Python with less features than supriya.
TidalCycles -- live coding pattern language for music, built on SuperCollider.
Strudel -- JavaScript port of TidalCycles for browser-based live coding.
Sonic Pi -- live coding music synth built on SuperCollider.
RtMidi -- cross-platform MIDI I/O library, vendored for the _midi extension.
nanobind -- the C++/Python binding library used to embed libscsynth, RtiMidi and the OSC codec.

License

MIT

Name		Name	Last commit message	Last commit date
Latest commit History 41 Commits
.github/workflows		.github/workflows
demos		demos
docs		docs
patches		patches
scripts		scripts
src/nanosynth		src/nanosynth
tests		tests
thirdparty		thirdparty
.gitignore		.gitignore
CHANGELOG.md		CHANGELOG.md
CMakeLists.txt		CMakeLists.txt
LICENSE		LICENSE
Makefile		Makefile
README.md		README.md
TODO.md		TODO.md
mkdocs.yml		mkdocs.yml
pyproject.toml		pyproject.toml
uv.lock		uv.lock

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nanosynth

Features

Requirements

Installation

Quick Start

Run the Audio Demos

Define a SynthDef and Play It

Managed Nodes (Automatic Cleanup)

Effect Chains with Bus Allocation

Supernova (Parallel DSP)

Recording

Offline (NRT) Rendering

Pattern Sequencing

MIDI Input

NodeProxy / Ndef (Live Coding)

Synthesis Techniques

Using the @synthdef Decorator

Subtractive Synthesis

FM Synthesis

Additive Synthesis

Plucked String (Physical Modeling)

Delay and Reverb Effects

Demand-Rate Sequencing

Ring Modulation

Stereo Width with Detuning

Dynamics Processing

Advanced Features

SynthDef Compilation (No Engine Required)

Debugging SynthDef Graphs

SynthDef Graph Introspection

OSC Codec

Available UGens

Envelope Types

Documentation

Development

CI

Attributions

License

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Languages

Using the `@synthdef` Decorator