This repository was archived by the owner on Jun 8, 2021. It is now read-only.
-
Notifications
You must be signed in to change notification settings - Fork 10
This repository was archived by the owner on Jun 8, 2021. It is now read-only.
A few things! #2
Copy link
Copy link
Open
Description
Hello,
Love your work friend. A few suggestions,
- The pitches you use seem to be slightly flat by a few cents, I'm trying to work on my 'perfect pitch' and love your 3 game system but I don't want to ingrain notes that are a little under.
(ie the octaves on honky tonk piano sound) - In the 'Note name' game relabel the most common notes (i.e. A# to Bb & D# to Eb) or better yet, put both names in the box (i.e A#/Bb)
- This last point I've been desperately searching for and it's to assign random sounds to the pitches, I.e. a piano is great but maybe a violin, voice (male/female), tuba, flute, clarinet, trumpet etc. It means in real life when we encounter instruments with different overtone balances we can know to listen to the true center note and not get confused.
The hard thing with this is finding a) real sound files not just midi/synth versions & b) making sure all the examples you are sourcing are in exact tune (equal temperament to a piano)
I have other ideas for this but I don't want to flood with comments -
Lastly thank you so very much for building the program!! I greatly appreciate it.
I've used it for about an hour all up and plan to do 10 minutes a day. I'm already fluent on all the hardest lvls of this stuff (including bizarrely spaced intervals)
I conduct a few different choirs/orchestras. I'm just looking to get monstrously fast at it so it's useful on the fly.
Cheers mate,
Ben
Reactions are currently unavailable
Metadata
Metadata
Assignees
Labels
No labels